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dc.contributor.authorChapman, Kamarie
dc.date.accessioned2009-07-08T22:49:47Z
dc.date.available2009-07-08T22:49:47Z
dc.date.issued2009-07-08T22:49:47Z
dc.date.submittedMay 2009
dc.identifier.urihttp://hdl.handle.net/1928/9318
dc.description.abstractThis paper discusses different methods and theories in playwriting, specifically the importance of dramatic structure and the value of cultural awareness as a playwright. Many of the theories discussed range from Aristotle to more contemporary feminist theorist such as Marie Irene Fornes. It is followed by the play Deception Pass: An American Story, one of the plays discussed within the essay.en_US
dc.language.isoen_USen_US
dc.subjectTheatre Theory, Feminist Theatre Theory, MFA Dramatic Writingen_US
dc.titleEveryman's Argoten_US
dc.typeDissertationen_US
dc.description.degreeMaster of Fine Artsen_US
dc.description.levelMastersen_US
dc.description.departmentTheatre & Danceen_US
dc.description.advisorHerrera, Brian E. Ph.D.
dc.description.committee-memberLinnell, James, Ph.D.
dc.description.committee-memberWarner, Sharon O.
dc.description.committee-memberWillis, Bryan


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