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Everyman's Argot


Please use this identifier to cite or link to this item: http://hdl.handle.net/1928/9318

Everyman's Argot

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dc.contributor.author Chapman, Kamarie
dc.date.accessioned 2009-07-08T22:49:47Z
dc.date.available 2009-07-08T22:49:47Z
dc.date.issued 2009-07-08T22:49:47Z
dc.date.submitted May 2009
dc.identifier.uri http://hdl.handle.net/1928/9318
dc.description.abstract This paper discusses different methods and theories in playwriting, specifically the importance of dramatic structure and the value of cultural awareness as a playwright. Many of the theories discussed range from Aristotle to more contemporary feminist theorist such as Marie Irene Fornes. It is followed by the play Deception Pass: An American Story, one of the plays discussed within the essay. en_US
dc.language.iso en_US en_US
dc.subject Theatre Theory, Feminist Theatre Theory, MFA Dramatic Writing en_US
dc.title Everyman's Argot en_US
dc.type Dissertation en_US
dc.description.degree Master of Fine Arts en_US
dc.description.level Masters en_US
dc.description.department Theatre & Dance en_US
dc.description.advisor Herrera, Brian E. Ph.D.
dc.description.committee-member Linnell, James, Ph.D.
dc.description.committee-member Warner, Sharon O.
dc.description.committee-member Willis, Bryan

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