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The Other Vanishing American: Disappearing Farmers in American Literature, 1887-1939.


Please use this identifier to cite or link to this item: http://hdl.handle.net/1928/17485

The Other Vanishing American: Disappearing Farmers in American Literature, 1887-1939.

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Title: The Other Vanishing American: Disappearing Farmers in American Literature, 1887-1939.
Author: Kuchera, Carolyn
Advisor(s): Scharnhorst, Gary
Aleman, Jesse
Committee Member(s): Harrison, Gary
Carafiol, Peter
Department: University of New Mexico. Dept. of English
Subject: primitive
nineteenth century
early twentieth century
Hamlin Garland
Grapes of Wrath
Joseph Kirkland
John T. Frederick
American Indians
industrial agriculture
western expansion
LC Subject(s): Farmers in literature
Farm life in literature
Agriculture in literature
American literature--19th century--History and criticism
American literature--20th century--History and criticism
Degree Level: Doctoral
Abstract: Beginning in the late nineteenth century, literary depictions of farmers borrow from the established trope of the “Vanishing American” Indian to portray farmers as disappearing before the forces of modern civilization. I argue that writing about farmers from this era ought to be approached as a type of extinction discourse: the rhetoric surrounding the decline of a race or culture. Extinction discourse, whether applied to the American Indian or to farmers, fuses mourning over a passing way of life with celebration of civilization’s progress. Farmers are portrayed as primitive figures, as fundamentally incompatible with modern civilization, in all of the fiction included in this study: Joseph Kirkland’s Zury (1887), Hamlin Garland’s “Up the Coolly” (1891) and “The Silent Eaters” (1923), John T. Frederick’s Druida (1923) and John Steinbeck’s The Grapes of Wrath (1939). While the works vary in their valuations of primitivism, alternately favoring the nostalgic or the progressive impulse, the farmer vanishes nonetheless. For the purposes of this study,“vanishing” signifies not so much a sociological fact as a representational act performed in response to a perceived loss.Literary constructions of the vanishing farmer are performative: they help produce the condition (disappearance) that they subsequently describe. The rhetorical origins of industrial agriculture are rooted in this disappearance. The developing reactions to the farmer’s “disappearance” and the varying rhetorical forms of those reactions are the focus of this study, which is contextualized through historical and sociological information. The divergent ideologies of nostalgia displayed in the fiction illustrate particular modern anxieties, while shadows or traces of Indian presence within these texts reveal a buried legacy of removal within Western expansion. This analysis also shows how portrayals of vanishing farmers often preserve the racialist logic of extinction discourse, wherein race contributes to extinction. The conclusion suggests a future direction for the literary analysis of farmers, arguing that they can be most productively approached as ghosts through Jacques Derrida’s theory of the “trace” and Toni Morrison’s notion of the shadow. With its focus on the decline, and sometimes disparagement, of agrarian America, this dissertation counters the dominant critical narrative that associates American virtue and civilization with rural values.
Graduation Date: December 2011
URI: http://hdl.handle.net/1928/17485

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