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dc.contributor.authorde Sa Rego, Stella
dc.contributor.authorHarrison, Marguerite Itamar
dc.date.accessioned2009-02-20T16:07:40Z
dc.date.available2009-02-20T16:07:40Z
dc.date.issued1997-06
dc.identifier.urihttp://hdl.handle.net/1928/7712
dc.descriptionThe Brazilian Curriculum Guide Specialized Bibliography, Series II. Jon M. Tolman, General Editoren_US
dc.description.abstractModern painting in Brazil can be said to have begun in the early nineteenth century. With the arrival of the Portuguese Court in 1808 and the elevation of Brazil to an Empire in 1815, a process of modernization and growth began. The spirit of the Enlightenment began to filter, in a subdued manner, into Brazil. The most significant change for the arts was the creation of an artistic infrastructure: the establishment of an academy for the training of future generations of Brazilian artists, state-sponsored exhibitions and travel scholarships to study abroad, and a reliable source of secular patronage.en_US
dc.description.sponsorshipProduced pursuant to a grant from the Brazilian Ministry of Foreign Affairs.en_US
dc.language.isoen_USen_US
dc.publisherLatin American and Iberian Institute, The University of New Mexicoen_US
dc.relation.ispartofseriesThe Brazilian Curriculum Guide Specialized Bibliography, Series IIen_US
dc.subjectModern Brazilian Paintingen_US
dc.titleModern Brazilian Paintingen_US
dc.typeWorking Paperen_US


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