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IGNACIO MANUEL ALTAMIRANO’S JOURNEY FROM “INDIO PURO” TO CULTURAL MESTIZO: INDIGENOUS IDENTITY, MESTIZAJE, AND NATIONALISM IN NINETEENTH-CENTURY MEXICO

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Please use this identifier to cite or link to this item: http://hdl.handle.net/1928/17501

IGNACIO MANUEL ALTAMIRANO’S JOURNEY FROM “INDIO PURO” TO CULTURAL MESTIZO: INDIGENOUS IDENTITY, MESTIZAJE, AND NATIONALISM IN NINETEENTH-CENTURY MEXICO

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Title: IGNACIO MANUEL ALTAMIRANO’S JOURNEY FROM “INDIO PURO” TO CULTURAL MESTIZO: INDIGENOUS IDENTITY, MESTIZAJE, AND NATIONALISM IN NINETEENTH-CENTURY MEXICO
Author: Sanchez-Clark, Angelica
Advisor(s): Lopez, Miguel
Committee Member(s): Rebolledo, Tey Diana
McKnight, Kathryn
Lopez, Kimberle
Hall, Linda B.
Sanchez, Joseph P.
Department: University of New Mexico. Dept. of Spanish and Portuguese
Subject(s): Ignacio Manuel Altamirano
Mexico
Mestizaje
Indigenous Identity
Nineteenth Century
LC Subject(s): Altamirano, Ignacio Manuel, 1834-1893--Criticism and interpretation
Nationalism and literature--Mexico
Indigenous peoples in literature
Degree Level: Doctoral
Abstract: Like many Mexican Liberal intellectuals, Ignacio Manuel Altamirano (b. Tixtla, Guerrero, 1834; d. San Remo, Italy, 1893) played a central role in defining the role that the mestizo—and, by force of circumstance, the Indian—would play in the formation of national identity after Mexico’s independence from Spain. This dissertation examines Altamirano’s literary and political works, as well as his personal correspondence, and his experiences as a soldier, educator, and politician, in order to understand how Altamirano, represented as an “indio puro” who underwent the transformation to mestizo, exemplifies the link between Mexico’s colonial past and its struggle to define its national identity. Past and current studies produced about Altamirano have failed to examine with a critical eye how his representation of the colonial and the contemporary, nineteenth-century Indian differs from what other sources reveal about the realities of indigenous life, both under Spanish rule and after Independence. By employing an interdisciplinary approach, using archival, primary, and secondary literary, theoretical, and historical sources, I examine how dominant groups have appropriated Mexico’s indigenous culture throughout the years in order to support their varying political and social agendas. More importantly, I demonstrate that Altamirano, as a member of the ciudad letrada, formed part of the dominant group and not that of the subaltern. Various theories concerning mestizaje, assimilation, acculturation, and adaptation are examined and provide insight into how Altamirano’s own life and literary production were manipulated to serve the official Liberal project of mestizaje, which, in many ways, proved to be more detrimental to the preservation of indigenous culture than 300 years of colonialism. The work of post-colonial theorists like Walter Mignolo demonstrates why Altamirano was unable to escape the colonial paradigm in which he had been formed; Mignolo’s work also points to ways in which indigenous groups in the twenty-first century are now able to take control of the production of knowledge and choose what he terms the “decolonial option.” Thus, mestizaje as theory and reality come together in the life and works of Altamirano, who serves as a case study for the complex issues of Mexican identity and nationalism.
Graduation Date: December 2011
URI: http://hdl.handle.net/1928/17501

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