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Convergencias: Critical View Of Traditional And Contemporary Flamenco

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Please use this identifier to cite or link to this item: http://hdl.handle.net/1928/13008

Convergencias: Critical View Of Traditional And Contemporary Flamenco

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dc.contributor.author Casas, Jeanne d'Arc
dc.date.accessioned 2011-08-19T21:43:00Z
dc.date.issued 2011-08-19
dc.date.submitted May 2011
dc.identifier.uri http://hdl.handle.net/1928/13008
dc.description.abstract There is an evident transformation on the art form that is in part of a rise of contemporary dance and fusions of flamenco. Is this change good or bad to the art form? In this essay I will make parallels with flamenco during the cafés cantantes period and flamenco today. I chose the cafés cantantes period because it was the first time flamenco came to the public and because flamenco in its traditional form started changing. In the first chapter I will explain this period of cafés cantantes by using two of the theories that the writer William Washabaugh uses to explain the origins of flamenco: Andalucismo and Gitanismo. In the second chapter I will explain what is happening with flamenco today using dancers such as: Rocío Molina, María Pagés and Israel Galván as examples to explain some of this development. Are these artists going back to traditional flamenco roots to create their artistic choices mixing them with their contemporary style? The next chapter is a close look at my past training and what were the influences that I used to choreograph my thesis concert Convergencia. The final chapter is the conclusion. Here I state that flamenco origins are still in a debate as well as the question of who created it. In the cafés cantantes topic the changes in flamenco dance, singing and dance, certainly brought good and bad within the transformation of the art form. Contemporary flamenco has shifted flamenco art into total originality, converging the art form with other mediums such as contemporary dance. Convergencia is my artistic project as an emerging young artist. It is a dance attempt to converse between flamenco and contemporary dance techniques. en_US
dc.description.sponsorship Graduate and Professional Student Office en_US
dc.language.iso en_US en_US
dc.subject Dance en_US
dc.subject Flamenco en_US
dc.subject.lcsh Flamenco--History and criticism
dc.title Convergencias: Critical View Of Traditional And Contemporary Flamenco en_US
dc.type Thesis en_US
dc.description.degree Dance en_US
dc.description.level Masters en_US
dc.description.department University of New Mexico. Dept. of Theater and Dance en_US
dc.description.advisor Encinias, Eva
dc.description.committee-member Jewell, Donna
dc.description.committee-member Herrera, Brian
dc.description.committee-member Encinias, Eva
dc.description.committee-member Neimanas, Joyce
emb.embargo.terms 2099-05-14
emb.embargo.lift 2099-05-14


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